The orthogonality and flatness were the two features that have strongly presided my work. And in this series of pictures, like those of "magma", it becomes even more apparent. I'm on the opposite side of Impressionism, and take my reason from the line that draws, that divides, that becomes object.
Frames, grids, polyhedra, nets, grilles, all for the sake of a little space with not too much depth. The flatness is earnestly sought, making the picture a wall that stands in the eyes of the beholder.